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Methodologically, the analysis relies on close observation of the use of the Japanese first and second person pronouns and sentence-final particles in the charac-ters' language, since "the use of these features is known to be highly gender-dependent" (Hiramoto 2013: 55). This article examines the gender stereotypes promulgated by this phenomenon and proposes a different reading of the work of Kon by comparing how the gender roles are portrayed in the different versions: The Japanese original and its yakuwarigo or "scripted speech" (Kinsui and Yamakido 2015) and the US English subtitles and dubbing. This article presents anime as an important pop culture phenomenon with a massive influence worldwide. The film revolves around a female idol (a pop star) named Mima who quits her career as an idol to become an actress, and how she gradually loses her mind. Perfect Blue (1997) is an anime (Japanese animation) film directed by Kon Satoshi.
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Taken together, the result tended to paint a portrait of otaku as well-adjusted individuals who happen to have an intense interest in a particular fan object. Contrary to the stereotypes, otaku had a comparable friendship network with non-otaku anime fans, perceived themselves as mature, and did not feel they were socially awkward around non-fans. Otaku identified as nerds/geeks, spread information about their favorite anime by word-of-mouth, showed obsessive tendencies, rated high on immersion when consuming anime, and identified strongly with their favorite character. However, these were not necessarily distinguishing features of otaku.
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Self-identified otaku tended to be young, male, single, and heterosexual. We surveyed anime fans and examined differences between otaku and non-otaku fans, as well as gauge where fans fell on measures regarding each stereotype. In the present research we test the veracity of 36 stereotypes of otaku that have appeared in definitions and descriptions of otaku in various academic publications.